Laura Kirwan-Ashman meets the unstoppable Kate Herron.

Kassia Neckles explores the post-racial potential of the Other World in Coraline.

Nicola Austin unpacks the Chosen One trope in Dune.

Alessia Galatini speaks to Isabel Sandoval about the way she makes movies.

Em Maskell interviews Sweetheart writer-director Marley Morrison.

Meggie Gates writes on the complexity of queer mommy issues in Hacks.

Anahit Behrooz interviews Crystal Moselle about Skate Kitchen and Betty.

Cameron Wolff explores the refracted identity politics of Zola.

Savina Petkova explores the mechanics of moviemaking in Prano Bailey-Bond’s debut.

Helena Middleton examines the subversive history of drag kings onscreen.

Ariel Klinghoffer writes on slow-burn intimacy in The World to Come.

abriela Almeida writes on Adrienne Shelly’s subversive romcom I’ll Take You There.

Lillian Crawford explores the legacy of Beauty and the Beast’s Belle, 30 years on.

Charlotte Little writes on Regan Abbott in the Quiet Place universe.

Saffron Maeve writes on Feel Good, a fear of closure and odd coping rituals.

Saffron Maeve talks to Shiva Baby writer/director Emma Seligman.

Saffron Maeve explores the beguiling charm of Julia Fox.

Brianna Zigler writes on the urgency of kindness in First Cow.

Jo Reid writes on the subversive lesbian romance of D.E.B.S

Aliya Arman wrotes on the nostalgic, hyperreal legacy of Amélie.