Hannah Gatward writes on the duality of motherhood in The Lost Daughter.
Hannah Gatward writes on the duality of motherhood in The Lost Daughter.
Ella Kemp interviews Renate Reinsve about The Worst Person in the World.
Sarah Collier explains why Parallel Mothers is a perfect war film for our times.
Rachael Sampson writes on the deconstruction of the porn model in Antiporno.
Kayla McCulloch writes on modern grief in After Yang.
Hollie Geraghty writes on the legacy of Crossroads 20 years on.
Lucy-Jo Finnighan revisits Jennifer Lopez’s The Boy Next Door through the eyes of Helen of Troy.
Sam Moore opens up the queer cyberspace explored in Belle.
Savina Petkova interviews The Souvenir Part II star Honor Swinton-Byrne.
Gemma Gracewood writes on breastfeeding and the care we take of babies onscreen.
Lucy Walker celebrates Chantal Akerman’s valentine to movie musicals in Golden Eighties.
Saffron Maeve writes on Paul Thomas Anderson’s latest weird little man, Gary Valentine.
Nicole Davis traces Maggie Gyllenhaal’s journey to The Lost Daughter.
Lillian Crawford interviews Julia Ducournau on Titane.
Eleanor Brady writes on the female grotesque in Julia Ducournau’s debut Junior.
Hannah Holway writes on Isabelle Huppert’s transgressive victims in Elle and The Piano Teacher.
Anahit Behrooz writes on material desire in The Power of the Dog.
Ella Kemp interviews Céline Sciamma about Petite Maman.
Rafaela Sales Ross writes a letter to her mum after watching Petite Maman.
Rafaela Sales Ross writes on the South American myth of Princess Diana in Spencer.
